Thursday, 10 December 2015

"Lightning Before Death" Shot list

A2 Media short film shot list. 

Opening sequence – Ecstasy of Gold – Train track
-Black screen with the noise of a shovel being dragged across the train tracks. 
-We see the shovel from a wormhole view being dragged towards a line of people in the distance.
-Camera follows the man’s shovel and legs whilst walking, slows down, and moves up above his head.  
-CU of the bottom half of his face and shoulders. 
-Long shot of him walking from behind. 
-Tracking of the man looking up and walking towards the fence.  
-Long shot from the group’s perspective of the man walk off of the railway road. 
-Snap shots of each member of the groups face. 
-CU of his face walking. 
-High angle panning around the group. Who start walking towards the man. 
-MCU of the group stopping
-MCU of the man stopping 
-Side view establishing shot of all characters in a stand off at the end of the short, with the title between them.  


SCENE 1- (Atmospheric joker music) – group are sitting around a table in a bar.  
-Close up of a member of the group putting a pint down. 
-Exposition establishing how the characters have gained the object with a slow pan around the table. 
-Exposition turns into irrelevant dialogue as we have traditional 180 degree close ups.
-In the background we see a man walking up to the table. (Camera out of focus on the table leaning up.) 
-Close up of the individual faces of the characters reactions. 
-Shot with the killers back to the camera placing the shovel down and sitting down. 
Pause. 
-Medium close up of killers face. 
-Introduces himself whilst grabbing a drink from one of the group. 
-Shots of confused characters 
-Prolonged shot of him telling the story, with a few shots of the characters reacting. When he mentions a precious thing that’s been stolen, close up of a group member pushing their bag under the table.  As he gets more intense the camera dollies towards him further. 
Pause. 
-One of the group, chugs their drink down quickly and proclaims that they are leaving. 
-The camera follows a group member from behind whilst focusing on the killer saying fee fi fo fum. 
-Side shot of the bag as the group are leaving. 
-Shot of the waitress cleaning a glass. 
-POV shot of the killer walking up to the bar. And sitting down, putting the beer down. 
-Irrelevant dialogue with some meaning between the killer and the waiter. 


SCENE 2 – stretch of road – 3 members of the group. 
-MCU of the group running towards a dollying camera, in a panic. 
-Close ups of three of the member’s faces running. 
- Intertwined with the psycho path getting into his car and driving away. 
-Shot of the group running over crossroads. 
-MCU dolly shot of the group running away from the camera. 
-High Angle Shot of the psycho driving down the road that the group was running down, and running -out of petrol, on the crossroads. 
-ECU of the empty petrol sign. 
-Side shot of the psycho getting out of the car. Walking to the boot. 
-Wormhole shot of the man opening the boot. And grabs the shovel. 
-Back to the side shot of the man walking off with the shovel.
-MCU of the man walking toward the camera away from the car 
-Long shot of the man walking away in the distance. 

SCENE 3 - barn
-Multiple side shots of the group’s legs running in different locations and then putting their bags down. 
-Long shot of the group sitting down from inside the barn. 
-As they start talking the camera slowly pans as they are asking themselves who the man is and why he starts chasing us. 
-Ali Leg starts to hurt as he screams out. 
-Cameron says “you know what, fuck this I’m done, we can’t just keep running away from this guy forever.”
-Some one else says, “well what are we gonna do? He’s a psycho.”
-Cameron, “I see a whole group of my friends, here in defiance of massacre. We have come to live as -free men, and free men we are” 
-Someone Interrupts “and women” 
-He carries on… “ What will we do without freedom? Will you fight? Fight and you will die, run and -you will live at least awhile. would you be willing to trade all the days from this day to that for one -chance, just one chance, to come back here as young men and tell our enemies,  that they may take our lives. “
-Someone else says, “wait isn’t that brave heart?”
-Cameron - “So? Shut up” “but they will NEVER”
-Someone else again, “well its just not really relevant”
“Oh my god let me do this, Where was I? Urgh lets just go”
-Montage of them kitting up. Last shot is Cameron clipping a helmet on. 

Scene 4 – back to the stand off. 
-Same shot as the last shot of the opening sequence. 
-left tracking shot from behind the group. 
-CU of the mans face panning. 
-He picks up the shovel MCU. 
-Front view of his foot stepping forward. 
-‘This is it’ close up of Cameron, he takes a step forward. Group follows. 
-Quick Side view of them walking towards eachother. 
-Cu of groups heads
-Close up of killer 
-Side view 
-Ecu 
-Ecu 
-Side view 
-Blackout.








"Lightning Before Death" script

A Lightning Before Death
Script.

By Joel Pickard and Joe Sandford 
And Xav Sinden. 







Cast:
MR X – Tats Nyazika
Bar Maid – Skye Radford
Matt – Cameron 
Libby – Charlie O’Brien 
Alex – Ali Henderson 


Opening sequence – Train track – Dusk – ‘Ecstasy of Gold.’

Blackout, we hear a shovel sound dragging across the ground. We fade up to ‘MR X’ dragging a shovel behind him. He’s on a train track; he has an eerie, but vacant look on his face, although inside he is determined. 
We cut to the group walking through a field, they look frightened but ready. 
Mr X spots the group in a field adjacent to him,
He exits the train track and starts walking across the field. 
They are now walking towards each other in a field, MR X walking considerably slower than the group. 
Once they get close enough they eventually come to a stop. 
The title appears in-between the two bodies. 

Scene 1 – Pub – Lunch – ‘Why so serious?’

A deafening sound is cut short by a pint of beer being put down on the table; we cut to a shot of the group chatting around a table.

Matt 
(Excitedly) FUCK.

Libby  
Holy shit, that was close man. 

(Alex leans back in his chair sighing in relief)

I can’t believe we actually did it!

Alex 
(Stressed) Can we all agree never to do that again?

Matt 
Sure 

Alex 
(Panicking) Is it safe? Where is it?

Matt
(Reassuringly) It’s in the bag don’t worry. 

Libby 
What are we doing now? 

Alex 
(Nervous) Did anyone see us? 

Matt
(Looks at Alex) No, We’re fine. (Looks at Libby) just laying low for a bit I guess. 

Alex  
What about that guy though?

Matt
(Confused) What guy? 

Bar Maid puts two beers down, one for Libby, one for Matt, and an orange juice for Alex.

Cheers. 

Alex 
The guy with that shovel. 

Libby
He wasn’t part of it he was just there. 

Alex
He looked pretty weird though

Matt 
Calm down its fine.

Libby 
How much do you think we’ll get for it? 

(We hear/see a door opening in the distance, out of focus, the group carries on talking) 

Matt 
No idea but it better be worth it 

Alex 
It will, I’ve done the research. 

Matt
I’d hardly call looking it up on Wiki leaks ‘research’. 

Alex 
‘Wiki leaks’ is a very reliable source of information. 

Matt
So this entire operation is resting upon Alex reading half of its bloody wiki leaks page and then getting distracted by hot girls looking for some fun in his area. 

(The man is close to the table; he’s dragging a shovel behind him. He sits down. All is silent.) 

Mr X  
Have you ever heard the story of jack and the beanstalk? 

(The group is silent, they recognise the man) 

Well? have you? It’s a pretty simple question. 

Alex 
Well uh.. 

Mr X
(Interrupting) Now I know I have, but I don’t like it very much, I have my own version that I think I like better. 

(He’s smiling uncontrollably)

So the story starts with this little scamp

(He takes the orange juice from Alex, drinks the whole glass and put it back on the coaster.) 

Jack. 

(The trio start looking at each other in fear.) 

Now, you see, Jack doesn’t have much regard for other peoples things, decides that he should trade his poor mothers cow for some pesky beans. Fast-forward a little and we have this giant beanstalk, which this little scamp (anger) decides to use to steal from the big scary giant. He does this for some time until, now this is where my story changes a little bit, the giant catches him, he tries to escape down the beanstalk but the giant can easily reach down and grab him before its too late. The giant decides to kill the boy,

(He grabs a pencil from the waitress’ ear. Holds it between his hands

So he places him between his two hands,

(Snaps the pencil)
 And he breaks him. 

(Matt looks nervous, but starts to get frustrated.)


Matt 
Come on lets go guys 

(They all get up abruptly and walk out, as they do ‘Mr X’ starts chanting) 

MR X
FEE FI FO FUM. 

(MR X, turns around, gets up and walks over to the bar)

Bar Maid 
What was all that about? 

(MR X, stares at the girl, he looks back down into an empty glass on the bar.) 

Were you with them? Cos I’m probably going to need someone to pay for that. 

(He stares at her demonically)

I think one of them comes in here often so I can… 

(A phone rings, they both look at each other, and suspense builds. She breaks the stare to answer the phone. He throws a 50-pound note on to the bar. He gets up and walks off.) 

Ok thanks? 

(Fade to black) 

Scene 2 - Running away - Street - ‘Can’t stop instrumental, red hot chilli peppers’  

(Music begins as we hear footsteps of running; we then cut to Libby’s face whilst running. All three people are running away as fast as possible, they are panicking but determined. They run into a barn.)

Scene 3 - In the barn  - music unknown

Libby 
Shit, shit what are we gonna do. 

Alex 
We’re screwed, oh god. 



Matt 
You know what, fuck this I’m done, we can’t just keep running away from this guy forever.

Libby
Well what do you suppose we do? he’s a psycho.

Matt
I see a whole group of my friends, here in defiance of massacre. We have come to live as free men, and free men we are.

Libby 
And women.

Matt
What will we do without freedom? Will you fight? Fight and you will die, run and you will live at least awhile. Would you be willing to trade all the days from this day to that for one chance, just one chance, to come back here as young men and tell our enemies,
that they may take our lives…

Alex 
Are you quoting brave heart? 

Matt
So? Shut up. BUT THEY WILL NEVER

Alex
It’s not even that relevant. 

Matt
Oh my god let me do this, Where was I? Urgh lets just go. 

(They begin to kit up with whatever armour/weapons they have in the barn or in their rucksacks.) 

Scene 4 - final scene - ‘Ecstasy of Gold’ - field.

Back at the field, the group is staring down at ‘MR X’. They look at one another as they prepare for a fight. ‘MR X’ smiles, it turns into a light chuckle. We see him move forward. 

And then we fade the fuck out.


Age rating certificate

today in class we discussed  at what age classification our film should be. as this will determine our target audience which will important for making a poster or magazine page. As we want to include a large proportion of the teenage population is under 18. i feel it necessary to make the age classification 15. We have scripted for strong language and scenes that younger viewers may find frightening or disturbing which fits in well with the BBFC classification for a 15 rated film ,. According to the BBFC website, an 18 rated film can show 

 - very strong violence
 - frequent strong language (e.g. 'f***') and / or very strong language (e.g. ‘c***’)
 - strong portrayals of sexual activity
  -scenes of sexual violence
  -strong horror
 - strong blood and gore
  -real sex (in some circumstances)
 - discriminatory language and behaviour

As our film has been scripted for a small number of high classed strong language i feel a certificate 15 is a suitable rating for our production.

Here is a link to the BBFC website which sends you to the 15 rating specification.